SPEAK TO ME OF SUEZ

In this short extract from my novel The Girls from Alexandria, ten-year-old Nadia gives her take on the events of Suez.

ALEXANDRIA, 1956

It began on the twenty-sixth of July when I was ten and a half years old, or, as I preferred to put it, nearly eleven.

The whole thing was about a canal and a dam. President Gamal Abdel Nasser was a big man with a muscular jaw and impressive teeth that he showed all the time.

via Wikimedia Commons

That night in 1956 was the fourth anniversary of the revolution. Nasser celebrated by giving a long speech right here in Alexandria, in Mansheya Square by that statue of Mohammed Ali Pasha wearing a turban and brandishing a sword as he sits on his horse.

Mansheya Square, Alexandria, via Wikimedia Commons

I enjoyed listening to Nasser on the radio because I could understand his speeches. Unlike other important men who make themselves sound clever by using formal Arabic, Nasser spoke a colloquial language that every Egyptian could follow, even a child of not quite eleven. That, I thought, was much cleverer.

Whenever anything interesting happened, I was sent to bed instead of being allowed to stay up, so I missed the big speech. Mother told me about it the next morning, which was hardly the same thing. I was especially sorry to have missed the firemen dispersing the crowds in Mansheya Square.

We were all upstairs by the air conditioning which was on at full blast against the sweltering heat. Father and Mother told Simone and me that the Suez Canal now belonged to Egypt instead of France or Britain. That meant it would raise lots of money for Egypt and would pay to build a High Dam at Aswan.

It was a good thing that the Suez Canal had been nationalised. Unless you happened to be Britain or France, I supposed.

For a while after that, I forgot about canals and went back to puzzling over Uncle Selim. Selimkept a thin book in his pocket. Whenever I took an interest in it, however, his reptile eyes swivelled towards me and I’d have to look away. I only glimpsed it once before he whisked the little book back into his breast pocket.

‘Poetry and papyrus,’ Tante Zahra scoffed between burps.

When term started, I consulted the encyclopaedia in the school library. Papyrus came from a plant in the Delta, though that did not enlighten me about Selim. For good measure, I looked up palimpsest as well, its entry being nearby. That was all about scraping something off a parchment to use it again.

Pontus Edenberg/FreeImages

As it turned out, I didn’t get a chance to visit the school library for ages after that. In October, some countries got angry with Egypt for taking a canal that should have been Egyptian in the first place. Father and Mother did not fully explain it but, in no time at all, France, Britain, and Israel all ganged up to declare war on Egypt.

Abdou stuck blackout paper on all the windows, and every night we heard air-raid sirens and anti-aircraft guns. That’s what my horrid cousin Victor called them. With schools shut, he was in our garden more than ever. He told me that the guns were at Smouha, barely a few kilometres away, but I insisted that didn’t scare me at all, so there.

Simone knew better. She hugged me and reassured me that everything would be all right. ‘You can sleep in my room,’ she said.

I padded into her room when the lights were out, leaving my teddy bear behind. I didn’t want my sister to think I was still a baby. What with the guns and Simone’s feet, I barely slept at all while sharing her bed, but at least there was the chance that some of her courage would rub off on to me in the night.

***

The Girls from Alexandria is out on April 1, and features this stunning cover designed by Emma Rogers.

Why Do Authors Love Setting Novels in London?

There are a zillion places to set a novel, even more if you include locations that don’t exist yet, but this side of the pond London is at the top of the list.

It’s no surprise that London’s attractions shape my writing: I was born in the capital, and after a junket of a decade or two came back here to live and work. But even if you’re not a Londoner there are plenty of good reasons to set your action there.

Abbey Road crossing

1 Things happen all the time in London: knife crime, break-ins, births in hospital carparks. So you can slip in a fictional car-crash or multiple murder and it won’t seem nearly as odd as it might in a dozy village.

2 London is incredibly romantic, even in the rain. That means lots of places for your characters to wander arm in arm in Highgate cemetery, should you wish them to. 

Highgate cemetery

Or, if you prefer, to argue on the top of Primrose Hill.

Primrose Hill

3 Everyone knows something about London. Its iconic features can be used as a kind of shorthand, such as the Tower, the London Eye, and the Tube. However, if you want to include real detail, there’s no substitute for the author joining the melée and checking it out.

Tower of London, field of poppies

4 Medieval buildings can be found all over the place, including smack dab by Big Ben.

© Elvis Santana (tome213)

Then again, there’s no shortage of great new architecture, and more to come, judging from the number of cranes.

The Shard, London

5 It’s very green. Should your characters wish to stretch their legs, or their children’s, offer them Regent’s Park, Clapham Common, or perhaps just a walk by the Thames. Time it right, and they can watch Tower Bridge open.

Tower Bridge

6 London is very diverse, with some parts that are distinctly upmarket, like trendy Marylebone, where my novel One Night at the Jacaranda kicks off.

Waitrose, Marylebone High Street

I’ve also included Edgware Road, where you’d be hard put to find any newspapers that aren’t in Arabic.

There, groceries spill out onto the pavement, with watermelons as big as Beirut, and shiny aubergines, pearly white onions and wrinkly green things that I’ve forgotten the name for, all lying with fat bunches of sweet-smelling herbs.

On the street there are always clusters of young men in T-shirts and jeans, standing on corners as they shout into mobiles or talk urgently with their hands, and, during the annual Saudi summer invasion, streams of women with pushchairs, most of them in a black abaya, some veiled so you could only see their eyes. They glide by, with their Fendi handbags and large retinues of children, while older men sit outside cafés and juice bars, smoking shisha. The men stared hard at passers-by, at any passing Mercedes. They have nothing else to do.

No surprise my next novel is also set in London.

Royal Albert Hall

7 It’s full of characters, like the woman walking down Finchley Road with a black bin liner under her hat. And when I say walking down Finchley Road, I mean in the middle of the bus lane. Or the man in Goodge Street dressed from head to foot as an African grey parrot. This being London, nobody gives either of them a second glance.

8 Finally, consider the US market: to Americans, London IS Britain.

 

The 12 Quotes of Christmas

Right now you can hardly turn around without hearing the word Christmas, usually accompanied by lame puns on seasonal words like holly and merry, and the lazy journalist’s headline The 12 whatever-they-are, even if those particular whatever-they-are have nothing to do with Christmas.  Well, I’m not about to get left behind in this frantic festive scramble, so here are my 12 favourite quotes.  Just in the St Nick of time.

If you love somebody, let them go, for if they return, they were always yours. And if they don’t, they never were.”  Khalil Gibran

“What we’re saying today is that you’re either part of the solution or you’re part of the problem.” Eldridge Cleaver

“No one is born hating another person because of the color of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.”  Nelson Mandela

“What would life be if we had no courage to attempt anything?”  Vincent van GoghMLK crop

“If a man hasn’t discovered something that he will die for, he isn’t fit to live.” Martin Luther King, Jr

“True friends stab you in the front.”  Oscar Wilde

‘There are three rules for writing a novel. Unfortunately, no one knows what they are.”   W. Somerset Maugham

“I still have my feet on the ground, I just wear better shoes.” Oprah Winfrey

“Stupid is as stupid does.”  Forrest Gump

“I have nothing to say and I am saying it and that is poetry.”  John Cage

“You cannot predict the future.”  Stephen Hawking

and that’s why you probably didn’t expect this 12th quote

يوم عسل يوم بصل

This anonymous Arabic quote translates as “One day honey, another day onions” and I think it nicely encapsulates the bittersweet nature of life.

What are your favourite quotes?