FREE CHRISTMAS CRACKERS!

WHAT’S THE MOST CHRISTMASSY MEDICAL OBJECT?

Makes an excellent Christmas gift
Roentgen (1845-1923) with a beard fit for Santa

Roentgen’s lab in Würzburg
Anna Roentgen’s hand X-ray, 1895
An early X-ray machine

THEY SAID IT COULDN’T BE DONE

Clarence Walton Lillehei (1918 – 1999)
Open-heart surgery in 1955
Plastic didn’t come into use for blood bottles until the 1970s

SHORT RULES FOR A WRITING RETREAT

Writer friends at work
Not like this place, then
My preferred pool

HOW DANGEROUS IS YOUR CHRISTMAS?

with thanks to www.freeimages.co.uk

NOVEMBER 22

WHAT’S AN AUTHOR TO DO AT THE LONDON BOOK FAIR?

If you write books, work in publishing, or find yourself anywhere near people who do, you’re probably hearing a lot about the London Book Fair right now.

This year LBF is at Olympia from April 18 to 20, and the theme is “Defining the Future of Creative Content”. If you’re an author, your reaction may well be Grrrr! I write books, not ‘creative content’.

There’s nothing like the phrase creative content to put authors in their place. Should an author even bother with LBF? Well, the fair is hardly a must, but it can be useful for the insights you’ll gain into the business of publishing, the chance to network, get some marketing ideas, and listen to some interesting talks.

The Author of the Day interviews are usually worth attending. This year’s guest authors include crime writer Ann Cleeves and children’s author Robin Stevens. I also hope to be there on Tuesday afternoon at Author HQ for the fifth annual Selfies Book Awards which showcase the very best in self-publishing.

Every year the book fair is a little different. I hadn’t entirely expected last year’s energetic display of Arabian dancing.

Still, some features are eternal. If it’s your first LBF, I can confidently pass on seven suggestions.

1 Leave your beloved manuscript at home. Don’t even expect to speak to a publisher or agent unless you have an appointment. LBF is a trade exhibition, so it you can’t expect it to cater wholly for authors or would-be authors.

2 Wear comfortable shoes. Olympia is vast, there’s very little seating, and it’s impossible to keep smiling when your feet are killing you. What’s more, LBF doesn’t sell foot plasters. A gap in the market, right?

3 Bring paracetamol or whatever works for your headaches. LBF doesn’t sell analgesics either.

4 A sandwich wouldn’t come amiss. LBF does sell food, but you may find the fare a tad overpriced.

5 Remember your business cards.

6 Don’t help yourself to books from the stands. There will be freebies like keyrings, bookmarks, tote bags, and the like, but the books on display are intended to show off a publisher’s range, so stop stuffing your bag with glossy new titles.

7 You can’t buy the books either. LBF isn’t a bookshop.

If you go, I hope you have a wonderful time. And let me know of any tips you’d like to pass on to future visitors.

You may enjoy a previous post JANET & JOHN GO TO THE LONDON BOOK FAIR.

HOW DO YOU FIND SOMEONE WHO’S MISSING?

How do you find your missing sister? Who can you even ask to help when you live in a police state? Not the police, that’s for sure.

This short extract from The Girls from Alexandria goes back to February 1968.

Monsieur Jean, we called the man. It wasn’t his real name. I wondered if he’d ever been a real journalist. Rashida served him coffee when he arrived, and she, too, saw his frayed cuffs and made her disdain plain.

‘Who knows why she left? After all, the brain is a mysterious box, especially a female’s.’ Monsieur Jean spread his hands and laughed at his own wit.

How dare he speak about women like this, and what did he know of the brain, anyway? He was just some old journalist in ragged clothes.

He extended his little finger and sipped his tiny coffee with huge noises. ‘She hasn’t disappeared completely,’ he observed when he’d put down the cup.  

True, she hadn’t, because she’d sent postcards now and again. But she was no longer here in Alex with Mother, Father, and most of all me, her biggest fan, even if she did have a tendency to say I was a humara. Well, she could call me a she-donkey all she wanted if only she’d come home.

‘What is her name again?’ asked Monsieur Jean.

‘Simone. Would you like to see the cards she sent?’ Father handed him a small bundle.

‘Any letters?’

‘No.’

Monsieur Jean should have realised that letters took longer to reach Egypt, arriving weeks late, if at all, with a printed strip down one side of the envelope where the censors had slit it open then sealed it up again. Under Nasser, nobody ever wrote letters if a postcard would do.

‘Let’s see.’ The man picked up one of the postcards and held it up to the light coming through the only window. We were sitting in the basement, the one room that we were fairly sure wasn’t bugged. ‘Her handwriting is interesting.’

Father gave a polite smile. ‘In what way?’

‘I am something of an expert in calligraphy.’

Of course he was, I thought. ‘What do you make of her writing?’ I ventured.

‘It’s very mature,’ he said. Since Simone was twenty-four, this was hardly a revelation. He took off his glasses and twirled them in his fingers. ‘I suppose you have spoken to her friends?’

Mother fidgeted in her armchair. ‘Of course.’

‘In cases like this, there’s always something the family overlooks. But I have my methods,’ he assured us.

As a nice young Arab woman, I had to mind my manners, but it was hard to hide my impatience.

Father asked what he proposed to do, and the man outlined his plans. His account clearly aimed to impress, but it was just a long-winded way of telling us he would use the network of contacts he’d made over a thirty-year career in newspapers.

My parents thanked Monsieur Jean courteously, and he left, shoving on his battered hat and promising to be in touch.

C’est un pauvre con,’ Father said as soon as the front door had shut.

Mother glared at Father because un con is the height of vulgarity, and not at all the same thing as con in English, though he was probably one of those too. ‘But,’ she said, ‘he’s the only chance we’ve got.’

If that was the case, then we were never going to find my sister.

***

You can read more about Nadia and her missing sister Simone in The Girls from Alexandria. Shortlisted for the Rubery Book Award, it’s available in paperback, ebook, and audiobook.

A VINTAGE SUMMER HOLIDAY

It’s a challenge to travel abroad from the UK at the moment, as I discovered when my last little holiday turned out to be a day trip to Luton airport. That’s why I thought you might enjoy reading about the leisurely holidays my family used to take long ago, when they lived in Alexandria. Way too long ago for me to remember, so it’s an extract adapted from my mother’s first book, Cocktails & Camels.

Every summer, like a swarm of locusts, Cairenes deserted the dusty, choking heat of the capital and swooped down onto Alexandria, avid for the cool city that they mocked the rest of the year. They came spilling out of trains, buses, and cars, frantic to get to the sea.

They came with their picnic baskets and their bedding—the government clerks and their portly wives, the shrill mothers-in-law covered with fat and cheap jewellery, the well-fed pashas twiddling their amber beads, the cooks, nannies, and suffragis—and they settled on the beaches until there wasn’t an inch of sand to be seen. At night, the locusts donned white sharkskin jackets and invaded the restaurants, cinemas, and casinos. The only thing for an Alexandrian to do was to pack his bags and take the first ship to Europe, usually with his car.

Back then there were no exit visas or travel restrictions of any kind. Most of these came with the Palestine War of 1948.

High up in the Dolomites, it was quiet and peaceful. There were only a few cows—and about half of Alexandria. “Chérie!” they’d cry to one another in surprise, even though they had come over on the ship together. “What brings you here?”

The answer was always, “I’m escaping from those dreadful Cairenes.”

It was an advantage to be able to speak Arabic without anyone understanding. Unfortunately, there were exceptions, like the time on a bus at Cortina d’Ampezzo when my sister Helen asked to change places because the old hag on her right smelled. The old hag turned round and told her in perfect Arabic that she was a very rude little girl.

My mother as child on a donkey in France

Some people were so excited when they found out we came from Egypt that they ran around screaming “The Egyptians are coming,” and “The Egyptians are leaving,” as though we were Pharaoh’s armies. They’d glue their noses to the license plate on the car as if studying hieroglyphics, and everyone suddenly had a passion for Egyptian stamps.

Two ladies approached us most forcefully one day. Mother was too taken aback to say a word.

“Take it easy, Ethel,” said one. “The poor thing obviously only speaks Bedouin language. Let me try to speak to her.” She bent down so that her nose almost touched Mother’s. “We’re Americans.” As though anyone within ten miles had any doubts. “America, Bay City, Michigan.”

“What’s your name, little Bedouin lady? I’m Mildred and this is Ethel. We’re travelling round the world playing the piano. At least, I’m the pianist and Ethel sings.”

When Father returned to the hotel and heard this, he refused to pretend to be a Bedouin or to live in an oasis in the middle of the Sahara, even though Mother implored him for the sake of Michigan.

He did, however, suggest that Ethel and Mildred join us for a drink and perhaps perform for us afterwards. They did. It was a riot, with half the people in the hotel running down to see who had been murdered. We learned many interesting things about the natives of Bay City, Michigan.

Europe was all right for a holiday but there was no place like Alexandria in the whole world. As we returned, we leant over the rail of the SS Ausonia and watched the pale yellow outline of Alexandria come into focus. The pilot’s launch flitted lightly across the water, the green flag with its crescent and three stars flying in the wind, and soon the pilot was climbing up the rope ladder followed by the port authorities and a few shaweesh (policemen) in white uniforms and red fezzes.

The quayside itself was a mass of galabeyyas—the long robes worn by most of the less affluent Arabs—and red fezzes. Everyone shouted and waved handkerchiefs. Sleek new cars and battered taxis inched their way through the crowd, honking their horns at length, and a group of ragged-looking men, ropes tied round their middles, chanted in refrain as they hauled an enormous crate away from the ship.

At the bottom of the gangway, one policeman, the corners of a checked handkerchief showing under his fez to keep the sweat from falling into his eyes, noisily came to blows with a man selling rugs. The man, with the unshaven look of a badly-plucked chicken, screamed at the top of his voice that the whole of the police force were sons of dogs, and that this particular policeman was something quite unprintable.

It was good to be home.

***

You may also enjoy these posts:

How my mother wrote her first book

Ten things you didn’t know about Alexandria

“ARE YOU GOING TO THE LONDON BOOK FAIR?”

If you write books, work in publishing, or find yourself anywhere near people who do, chances are you’re hearing a lot about the London Book Fair right now. This year LBF is at Olympia from April 5 to 7. It’s the first one since 2019 and, as you can imagine, it’ll be a bit different to book fairs held before the pandemic.

For one thing, there are allocated time slots for arrival, so no meeting your mates outside the station and entering en masse, unless they have the same time slot.

LBF has put together their Covid-19 guidelines on this link. I won’t repeat them except to point out that you may need to provide evidence of Covid vaccination. And that’s in the form of the NHS app, not the NHS Covid app or the tatty little card you’ve kept in your wallet for over a year. The NHS app can take a day or so to verify your identity. Best not leave it till the last minute, then.

This year, the market focus is Sharjah and the tagline for the fair is YOU ARE THE STORY. But is it your story if you’re not a publisher?

Dipping into my experience of LBFs past, I can tell you that it’s not a place for readers, though it can be useful for authors as long as they’re realistic. Here are seven mistakes to avoid. I should know. I’ve made them myself.

1 Thrust your manuscript into a publisher’s hands. Don’t even expect to speak to a publisher. The fair is still industry-led, and, unless you have an appointment, you can’t see a publisher.

In the last few years, LBF has become more aware of authors, with the belated recognition of who it is that actually writes books. There’s a small enclave called Author HQ with a range of events relevant to writers. When I say ‘small’, I mean sitting cheek by jowl (yes, this year I’ll be wearing a mask). But LBF is still a trade exhibition, so it you can’t expect it to cater wholly for authors or would-be authors.

2 Try to find an agent. You’re more likely to win the lottery, even if you didn’t buy a ticket. You’ll even be pushed to chat with your own agent, if you have one. Literary agents are usually hard at work in the International Rights Centre, for which an appointment is needed.

3 Expect to buy lots of books. Although it would be magical to shop in a massive bookstore, LBF isn’t one of them.

4 Help yourself to books from the stands. There will be freebies like keyrings, bookmarks, carrier bags, and the like, but the books on the various stands are intended to show visitors a view of a publisher’s range. Stop stuffing your tote bag with glossy new titles.

5 Ask lots of stupid questions. Nobody expects you to know everything, but naivety has limits, and not every speaker is as patient or as courteous as romantic novelist Katie Fforde who, at one of her talks, was asked “How does one start to write a book?”

6 Wear high heels. Comfy shoes are the order of the week. Vertiginous heels will soon become unbearable, and LBF doesn’t sell foot plasters. I know. A gap in the market. Not sure they’ll sell masks either.

7 Expect to sit down. There is some seating here and there, though not much.  A lot of people end up sitting on the floor or perch precariously on an exhibit to eat their over-priced sandwich.

So why attend the fair at all if you’re an author? Mainly for the insights you’ll gain into publishing, the chance to network or make new contacts, attend a few interesting talks, and get new marketing ideas.

For me, there’s also inspiration in hearing celebrated authors like Maggie O’Farrell and Afra Atiq at Author of the Day events. This is how I met Egyptian novelist Alaa’ al-Aswany a few years ago. It’s no secret that I’m a huge fan of his book The Yacoubian Building. That short conversation with him at LBF encouraged me to write my novel The Girls from Alexandria.

So, are YOU going to the London Book Fair?