MEDICAL BREAKTHROUGHS IN ALL THEIR GORY

The Doctor (1891), by Luke Fildes
A 17th century medical practitioner examining urine. Oil painting after David Teniers the younger.
(c) Royal Free Hospital; Supplied by The Public Catalogue Foundation
Elizabeth Garrett Anderson, after John Singer Sargent
Home birth. Painting by Carl Lemoch (1885)
The Gross Clinic (1875) by Thomas Eakins. Dr Samuel Gross operates on a young boy’s leg. A towel soaked in chloroform serves as anaesthetic

The paperback of The History of Medicine in Twelve Objects will be out on August 20. You can pre-order it here, or get the hardback, ebook, or audiobook right now.

WHAT CAN COMPARE TO THE HUMAN HEART?

FREE CHRISTMAS CRACKERS!

WHAT’S THE MOST CHRISTMASSY MEDICAL OBJECT?

Makes an excellent Christmas gift
Roentgen (1845-1923) with a beard fit for Santa

Roentgen’s lab in Würzburg
Anna Roentgen’s hand X-ray, 1895
An early X-ray machine

THEY SAID IT COULDN’T BE DONE

Clarence Walton Lillehei (1918 – 1999)
Open-heart surgery in 1955
Plastic didn’t come into use for blood bottles until the 1970s

SHORT RULES FOR A WRITING RETREAT

Writer friends at work
Not like this place, then
My preferred pool

HOW DANGEROUS IS YOUR CHRISTMAS?

with thanks to www.freeimages.co.uk

NOVEMBER 22

WHAT’S AN AUTHOR TO DO AT THE LONDON BOOK FAIR?

If you write books, work in publishing, or find yourself anywhere near people who do, you’re probably hearing a lot about the London Book Fair right now.

This year LBF is at Olympia from April 18 to 20, and the theme is “Defining the Future of Creative Content”. If you’re an author, your reaction may well be Grrrr! I write books, not ‘creative content’.

There’s nothing like the phrase creative content to put authors in their place. Should an author even bother with LBF? Well, the fair is hardly a must, but it can be useful for the insights you’ll gain into the business of publishing, the chance to network, get some marketing ideas, and listen to some interesting talks.

The Author of the Day interviews are usually worth attending. This year’s guest authors include crime writer Ann Cleeves and children’s author Robin Stevens. I also hope to be there on Tuesday afternoon at Author HQ for the fifth annual Selfies Book Awards which showcase the very best in self-publishing.

Every year the book fair is a little different. I hadn’t entirely expected last year’s energetic display of Arabian dancing.

Still, some features are eternal. If it’s your first LBF, I can confidently pass on seven suggestions.

1 Leave your beloved manuscript at home. Don’t even expect to speak to a publisher or agent unless you have an appointment. LBF is a trade exhibition, so it you can’t expect it to cater wholly for authors or would-be authors.

2 Wear comfortable shoes. Olympia is vast, there’s very little seating, and it’s impossible to keep smiling when your feet are killing you. What’s more, LBF doesn’t sell foot plasters. A gap in the market, right?

3 Bring paracetamol or whatever works for your headaches. LBF doesn’t sell analgesics either.

4 A sandwich wouldn’t come amiss. LBF does sell food, but you may find the fare a tad overpriced.

5 Remember your business cards.

6 Don’t help yourself to books from the stands. There will be freebies like keyrings, bookmarks, tote bags, and the like, but the books on display are intended to show off a publisher’s range, so stop stuffing your bag with glossy new titles.

7 You can’t buy the books either. LBF isn’t a bookshop.

If you go, I hope you have a wonderful time. And let me know of any tips you’d like to pass on to future visitors.

You may enjoy a previous post JANET & JOHN GO TO THE LONDON BOOK FAIR.

HOW DO YOU FIND SOMEONE WHO’S MISSING?

How do you find your missing sister? Who can you even ask to help when you live in a police state? Not the police, that’s for sure.

This short extract from The Girls from Alexandria goes back to February 1968.

Monsieur Jean, we called the man. It wasn’t his real name. I wondered if he’d ever been a real journalist. Rashida served him coffee when he arrived, and she, too, saw his frayed cuffs and made her disdain plain.

‘Who knows why she left? After all, the brain is a mysterious box, especially a female’s.’ Monsieur Jean spread his hands and laughed at his own wit.

How dare he speak about women like this, and what did he know of the brain, anyway? He was just some old journalist in ragged clothes.

He extended his little finger and sipped his tiny coffee with huge noises. ‘She hasn’t disappeared completely,’ he observed when he’d put down the cup.  

True, she hadn’t, because she’d sent postcards now and again. But she was no longer here in Alex with Mother, Father, and most of all me, her biggest fan, even if she did have a tendency to say I was a humara. Well, she could call me a she-donkey all she wanted if only she’d come home.

‘What is her name again?’ asked Monsieur Jean.

‘Simone. Would you like to see the cards she sent?’ Father handed him a small bundle.

‘Any letters?’

‘No.’

Monsieur Jean should have realised that letters took longer to reach Egypt, arriving weeks late, if at all, with a printed strip down one side of the envelope where the censors had slit it open then sealed it up again. Under Nasser, nobody ever wrote letters if a postcard would do.

‘Let’s see.’ The man picked up one of the postcards and held it up to the light coming through the only window. We were sitting in the basement, the one room that we were fairly sure wasn’t bugged. ‘Her handwriting is interesting.’

Father gave a polite smile. ‘In what way?’

‘I am something of an expert in calligraphy.’

Of course he was, I thought. ‘What do you make of her writing?’ I ventured.

‘It’s very mature,’ he said. Since Simone was twenty-four, this was hardly a revelation. He took off his glasses and twirled them in his fingers. ‘I suppose you have spoken to her friends?’

Mother fidgeted in her armchair. ‘Of course.’

‘In cases like this, there’s always something the family overlooks. But I have my methods,’ he assured us.

As a nice young Arab woman, I had to mind my manners, but it was hard to hide my impatience.

Father asked what he proposed to do, and the man outlined his plans. His account clearly aimed to impress, but it was just a long-winded way of telling us he would use the network of contacts he’d made over a thirty-year career in newspapers.

My parents thanked Monsieur Jean courteously, and he left, shoving on his battered hat and promising to be in touch.

C’est un pauvre con,’ Father said as soon as the front door had shut.

Mother glared at Father because un con is the height of vulgarity, and not at all the same thing as con in English, though he was probably one of those too. ‘But,’ she said, ‘he’s the only chance we’ve got.’

If that was the case, then we were never going to find my sister.

***

You can read more about Nadia and her missing sister Simone in The Girls from Alexandria. Shortlisted for the Rubery Book Award, it’s available in paperback, ebook, and audiobook.