Seven Days as a Novelist

Thanksgiving Day 2013 and my novel comes out after spending years getting ready. 

front cover reduced

First cover of my novel

Day One is great:  congratulations arrive on Facebook, in cards and by email.   I don’t have a launch party but I go to Women in Journalism’s Christmas bash.   Everyone can see that I’m floating about 6″ off the ground.  That’s because I’m wearing red suede heels like these.

By Day Two, I’m seeing stars in the form of my first review.  Five stars to be exact, and from an author I respect hugely.  I tell all my friends, which means I post the news on Twitter.  Writers lose their real friends because they spend all their time writing. 

On Day Three I see a neighbour who wants to know all about my book. When I explain how she can buy a copy, for instance here, I get a blank look.  She asks “What do you mean, buy?”

It’s the Primrose Hill Christmas Festival on Day Four   The place is crawling with models, writers, actors, whatever (MWA, darling).  I don’t see any celebs out and about with their noses in my novel, but I spot these supermodels in their new winter coats.

Ruff & Tumble

Monday night is Day Five.   I attend the British Lung Foundation’s Christmas Carols by Candlight at St Pancras Church.  It’s a big occasion so I’m wearing THE shoes off the cover, not a stand-in pair.   Along with Linda Robson, Tommy Walsh and David Oakes, I read a poem. By now my book and I are feeling proper festive.  

jacaranda tree

But that day my elderly mother has another fall and can’t stand up.  I catch a flight out as soon as I can.

She’s in a geriatric hospital.  Her lipstick tells me she’s still fighting but the rest of her tells a different story.  She has severe osteoporosis and has broken several more bones.  They give her morphine which barely helps her pain.  You have to work up gradually to the right dose and we’re not there yet.  

The red heels have come off.  I sit by her bed and help her drink from a drinker, the kind my children had as toddlers.

This, now, is reality.  Fiction?  That’s just escapism.  But what a welcome escape it can be.

One Good Thing about Having Surgery

Sanjay is only in his 30s but he’s had a lot of surgery, all of it since the cancer was diagnosed. That’s if you don’t count ingrowing toenails as a teenager, now best forgotten along with his pongy trainers.

As with Laura, Geoff and the other people in my novel, I made Sanjay up.  He only lives, breathes and sheds tears in my fiction.

In his opinion, the only good thing about operations is the pre-med.  That injection is chock-full of morphine.   Makes you as legless as a freshers’ night out.  There’s also some stuff to dry up secretions, so your mouth is like an African drought.  But with the morphine on board, who gives a fuck?

Then the anaesthetist gets him to make a fist.  “Now count to 10 for me.”   He never gets beyond four before drifting away.230991_2134 surgeon crop

Whatever delicious thoughts he has on going to sleep, there’s always hell to pay when he wakes up.  Last time, someone was moaning like a wounded animal in the recovery room.

And Sanjay was in serious pain.  Just because you were asleep when they plunged a knife into your neck didn’t stop it hurting like hell afterwards.

He thought of his mate Ben.  He must have been in agony for hours.  Sanjay wondered if anyone had given him enough morphine, whatever ‘enough’ means when an IED has ripped off one of your arms and a hunk of leg.  Was there was someone sitting by him, like this nurse here?  Probably not.  Just another wounded soldier, doing his best with a tourniquet and praying the MERT would show before they both snuffed it.

In the recovery room, Sanjay had the irresistible urge to sit up, but the pain and the nurse kept forcing him back down.  He had a sore throat and felt sick.  The smell of antiseptic didn’t help, nor did the bilious scent of dressings.  Nurses insisted there was no smell, but they were wrong.  Since the chemo, he could smell everything.

The moaning still hadn’t stopped.  Some poor deranged sod really didn’t want to be here.  “Hush now” the nurse said. “I’ll get you a sip of water.”

The thirst was unbearable, but all he got was a plastic thimble of water, with instructions to take a small sip.  Most of it went down the front of his hospital gown.  Miraculously, the moaning stopped when he drank the water, which was when Sanjay realized that he was the deranged sod making all the noise.

He patted his neck and shoulder tentatively through the dressing.  Strange that such a small procedure would lead to so much trouble.  Maybe it was the drugs.  It was always a bad idea to mix drugs, but hospitals dosed you with reckless abandon, with gases out of metal cylinders, and loads more stuff into your veins.  One of the anaesthetists explained it.  She was one of the new docs, a woman with long red hair and a piercing that went right through a massive freckle on the side of her nose.

She was flirting with him, he was sure.  So he flirted back, as best one could when lying down and wearing a hospital gown instead of Paul Smith loafers, Armani jeans and lucky pants.  That was when he learned about the IV anaesthetic drugs, like fentanyl and ketamine.  All the stuff to make sure you didn’t come to during the op. No wonder by the time he got to the recovery room he felt he’d gone four rounds with David Haye and had an overdose of Ivory Wave or whatever high you could get for a tenner these days.

Jeremy's scalpel

He’s hoping he won’t go under the knife again, but the cancer always seems to have other ideas.

‘Am I in your book then?’

If you’re rash enough to tell your friends you’re working on a novel, they’ll be dying to know if they’re in it.bookshelf crop

If? What am I saying! Of course you’ve told them. Blabbing about work in progress may stifle the muse, but the people in your life need to know why you stay in every night with your laptop and a bag of Doritos, thumbing through old Lands’ End catalogues in the vain hope of overcoming writer’s block.

So back to that pesky question. ‘Am I in your book?’

Of course they’re not. Yet no matter how many times you reply that it’s fiction, goddammit, they expect a cameo role, minimum.

If you don’t shoehorn them in, they’ll assume you don’t find them interesting enough. So they dangle tempting revelations. ‘You do know I was George Clooney’s girlfriend/chauffeur/manicurist? And did I tell you about the time I wrestled three KGB men under water?’

I usually reply ‘Cool. But it’s not that kind of book.’

Some people plead to be put into prose. Even non-fiction. Does Michele really want to end up in the chapter on personality disorder? Now that’s serious attention-seeking.

Yes, it would be great to use real characters. There are folks I’d love to transplant wholesale into a book, where they’d take root and flourish. Sadly, I can’t put in any of the wonderful patients I’ve seen over the years, even if it would save my imagination a lot of pointless exertion.

Then there are colleagues past and present: devoted, brilliant, arrogant, disillusioned, or dead drunk. No surprise I’ve got a doctor is in my forthcoming novel. Geoff is burnt out and now, going through a mid-life crisis, he wonders if he really does make people better. I like to think he comes across as authentic. All the same, he’s not real, nor is he based on any one person in particular. And he’s definitely not you, even if you have erectile problems and a cute son with asthma.

If you’ve already written your work of fiction, you’re doomed because family and friends always think they’re in it. What part of the word ‘fiction’ is so hard to get?

Real people don’t go in novels (though there are exceptions, like Princess Margaret in Edward St Aubyn’s Some Hope). Here’s why.

1. When you finally get off your sofa you won’t have any friends left.
2. The UK is the libel capital of the world. For more on what can happen, see John Preston’s recent Sunday Telegraph piece The Murky World of Literary Libel.

Fellow writers, I’d love to hear your views.

The Best Sex Ever

A great sex scene in a novel is like happiness.  When you see it, you know.

But it’s not easy to nail. The Literary Review’s Bad Sex in Fiction award – rightly feted at the In and Out Club in London – was launched in 1993. Infrared’s author Nancy Huston scoped the prize in 2012 with unforgettable imagery like “my sex swimming like a fish in water”. I’m guessing it gets harpooned later.

Mounting often features in sex scenes but Rowan Somerville tweaked the cliché: “like a lepidopterist mounting a tough-skinned insect with a too-blunt pin he screwed himself into her”. As Somerville said when accepting the award, there’s nothing more English than bad sex.

Just choosing the words is a challenge. Will they be biologically correct, or do you prefer words you don’t want the kids to repeat? Maybe there’ll be some common metaphors, or fancy phrases like Ben Masters’ ‘elfin grot’. Some writers shoehorn in some long words like anaconda, rissorgimento and philately. It makes readers think they’re erudite, or at least that they own a dictionary.

One of my favourite writers is Penelope Lively who does unresolved sexual tension better than anyone I know. Now and then we still get to go all the way. Bliss. Instead of using the whole thesaurus, she uses all the senses, as in The Photograph.

He spreads his coat on the grass, puts her down on it. She kicks off her trousers. It is the most urgent sex he can ever remember, a glorious immediacy, pinned forever in that place – the wind, the smell of crushed grass, some small piping bird, sheep moving about.

Lively doesn’t need to say that the grass is scratchy on the skin.  Why else would Glyn put his coat down?

Not all readers are after the same thing. Sometimes raw and raunchy fit the bill perfectly, as in Mel Sherratt’s Taunting the Dead.

She ran the tip of her tongue up and down his shaft as he held her head in place. Might as well get it over with and then she could be on her way.

Maggie O’Farrell’s After You’d Gone has this study of Alice losing her virginity.

She begins counting the punching thrusts to try to block out the consciousness of this heaving, panting body thrashing about on top of hers. At number seventy-eight, she feels his back arch and at seventy-nine, he does a kind of prolonged rigid shudder and collapses on to her, breathing hard.

That was infinitely sad. For making sex funny, you have to hand it to Howard Jacobson. Here’s a passage from Coming from Behind.

Now that his gown has ridden up his back and hangs over his face, he is as blind as a school photographer, and it is his other end anyway… which confronts the door.

For me, there’s one criterion above all that’s the hallmark of a good sex scene. It’s the one I use in my fiction, and it’s simply this: when you read about the characters having it off, does it turn you on?

I’d love to hear what you look for in a fictional sex scene and who your favourite authors are.

The only child is forever

Corfe Castle 3One child is the ideal number, says writer Lauren Sandler.  In her book The One and Only (and in quotes all over the media) she reckons having more than one child gets in the way of success, especially for women writers.

Why?  Kids don’t necessarily stifle creativity.  But I agree that they eat time.  My three children, all born within two and half years, needed constant attention.   To carve out time for writing, I’d put the twins in the car and drive around till they dozed off.  It was a lesson in churning out copy quickly.

Today, interruptions still come thick and fast.  My elderly mother just asked me for the third time whether she took her painkillers.  And she’s uncertain of the dose: ‘It says one twice daily on the box. How many should I take?’  She dithers about what to wear and what to eat, and she’s increasingly impatient, but most of all she forgets.  She can’t even remember that I’m getting married.

I loved it when I read to my kids, when they built tepees from fallen branches, or when they just laughed. They kept me on my toes, like the day one of them trapped his twin’s head in a bucket.  One morning, another son made off with his big brother’s school tie.  How was I to guess he’d shoved it out through the cat flap?

Now it’s my mother’s things I search for, her lunch I prepare, her hair I cut, her bandages I change.   She checks with me whether she had a shower this morning, but she doesn’t hear my answer.  When I repeat it louder, she accuses me of shouting.   It’s tough looking after elderly parents, and I’m not as young as I was either.  But there’s nobody to share it with.

My eldest son wanted siblings, and here was one clue: as a toddler he’d hide his friends’ shoes when they came to play so they couldn’t go home.

I too longed for brothers and sisters, but I never got them.  It was no fun playing board games against myself, though at least I always won.  I look back on my childhood as a lonely time, but it’s a lot worse now.  You never grow out of being an only child.

Back to the ideal number of children.  What do you think it is?

← Back

Thank you for your response. ✨

My first time

Yes, it’s my first time.  My first post. Here, that is.

Although I’m a doctor, don’t expect this blog to cover worthy health topics. The one on thehealthcounter.com does that.  Today I won’t be going on about the BRCA1 gene, measles outbreaks, a vaccine for Dengue fever, the dire state of the National Health Service, or why you should have a smear test (though obviously you should).

This baby blog is my sabbatical from medicine:  a space to share what I’m writing and doing, and for you to tell me what you’re up to. But please don’t ask me about your fungal toenail infection.

I’ll be writing a bit about my novel One Night at the Jacaranda which I started a couple of years back. It’s hard not to now that it’s become part of my life.

While it’s completely fictional, the characters are real to me.  Like my three sons, they don’t do rules. They get up to things I don’t want them to, such as saying things they shouldn’t and jumping into bed with the wrong people.  But they’re looking for someone special, and everyone makes mistakes.  I’m talking about my Jacaranda characters, not my sons.  I’m sure they do some of those too, but they’re wise enough not to tell the world about it.

Characters do things because they want to (or they did at the time, as when getting a tattoo after a few drinks too many).   In much the same way, I’m blogging because I want to.

This won’t be Danny Buckland’s blog FuturePills. Or Ben Goldacre’s.  Or Joanna Penn’s.  It’s mine,

I’m on the steep part of the learning curve and I don’t mind borrowing crampons to help me stay on.

It all takes me back to my first day at high school. Remember tiptoeing around in squeaky new shoes, trying to work out who the cool kids are, and smiling at everyone in case they want to be your best friend?  Yes, I am cringing that much.

Or maybe it’s more like a first kiss, that first love.  As daunting as it is, you still throw yourself into it.  I think I’ve taken all the precautions though you can’t insure against getting dumped or your heart being broken.

So let me know if you’ve got some great tips on blogging. And please be gentle, cos after all it’s my first time.

OLYMPUS DIGITAL CAMERA

← Back

Thank you for your response. ✨